Showing posts with label arts and culture. Show all posts
Showing posts with label arts and culture. Show all posts

Monday, October 18, 2010

Looking Forward by Looking Back

Though it was published in the 112th founding anniversary supplement of The Manila Times last October 11, the online version of the first article--the one with my byline, to be exact--I wrote for the newspaper only appeared yesterday. Below are the introductory paragraphs:
In one of the graduate-level literature courses I enrolled in several years ago at the University of the Philippines in Diliman, I remember award-winning author and critic Dr. Cristina Pantoja Hidalgo exalting the country's creative writers with a statement that I believe still holds true today. Writers, she asserted then, serve as the "memory of the [Filipino] nation."
I think this can also be applied, to a certain extent, to other artists--actors, dancers, filmmakers, musicians, painters, sculptors--working today. The techniques and the technologies available today may be more sophisticated, even innovative; but observers would nonetheless point out how many of our artists--the older ones, especially--continue to draw inspiration from the past, or at least aspects of it. This is hardly surprising, considering how easily we seem to forget our history. In our country, art not only serves to entertain and enlighten, but also to remember.
The rest of the article can be accessed here.

Monday, September 20, 2010

Art Attack

Newspaper editorials rarely discuss matters about culture and the arts, so it's rather refreshing that The Manila Times had one on the subject last Saturday:
One of the more interesting ideas that prize-winning playwright and National Commission for Culture and the Arts (NCCA) executive director Maria Lourdes “Malou” Jacob offered in an exclusive roundtable discussion with the editors and reporters of The Manila Times on Tuesday is the idea of employing our arts and culture to address, even attack an altogether different kind of “culture”—the pervasive culture of corruption, discrimination and violence in our country.

Granted, this idea is hardly new. But the strange thing is, a lot of us seem to treat it as though it is something novel, even groundbreaking. Strange because our history has shown how many of our artists—composers, creative writers, painters—have deeply and totally espoused this idea. 
The rest of the editorial can be found here.